Il adore partager son amour débordant pour tout ce qui touche à l'illustration, aux comics, films et autre étrangetés. What Gupta’s work aims to provoke in the visitor, rather than a passive aesthetic experience, are questions. This is a WIP installation structure based on a series of drawings for a large scale public art work. EQUAL has been training visually impaired to be able to be self-sufficient in their daily living. Shilpa Gupta, Map Tracing # 5 – FR, 2017, copper pipe. I explore structure by revealing and manipulating the entire vertical warp, which I see as the skeleton of the woven body. Dancy. Day 5 of my 10 day challenge to post older past works…. Nick Lambert is the hea of the Computer Arts Society and also teaches at Ravensbourne. The Computer Arts Society are celebrating their 50th anniversary this year. Performers : Fay Burnett, Birgitta Hosea & Fanny Cox, Current Newsletter and newsletter archive. Animation of text extracts taken from the promotional material for various internet connected household items currently available for purchase online. This is a great opportunity for complete beginners to learn how to make art using computers. Look at me, look at me…, 9 X COBWEB AND DUST GLASS SLIDES, LIGHTBOX. A conceptual instalation work conceived, constructed and installed as a direct response to the exhibitions title and concept of ‘In the Dark’.Under the Shroud of a blackout cloth total darkness and a meditative state can be simulated. A group show in January with London Group members and friends including the Computer Arts Society and Lumen Prize. Each artist added approximately 30 seconds of their own video onto the previous additions building a video mashup. Andy Lomas and Esther Rolinson will discuss their practices. Shilpa Gupta, Untitled, 2017, Paper, pigment from marijuana. The visitor will enter the premises blindfolded and will have to recognize material, furniture, smells, sounds, etc. Photo: O.H. Opening tonight: Multifaceted exhibition of international UK based artists Fri 30 November, 6.30-9pm, Fletcher Centre, Lion Street, Rye. The success was resounding, as everyone involved enjoyed the experience very much. Suzan Swale, Tell me no more lies Required fields are marked *. The artists present had several interesting conversations and lots of new ideas for future collaborations. An experimental performance interacting with, and reconfiguring, the space using projected light and mirrors. This piece and others by Clark and Edmonds expand upon their conversations going back decades about simple connected art, where the artwork emerges from a system rather than directly from the artist. Taking inspiration from the work of Alan Turing, D’Arcy Thompson and Ernst Haeckel, digital simulation techniques are used to generate structures from rules of growth at the level of individual cells. Original versions were in other languages including one from 1977 programmed on a Nova minicomputer. iCal, Outlook or Google. 2nd EVAW ART EXHIBITION Crossroads Centre Art Space – ‘UNTOLD STORIES – GLOBAL PAIN’ (300x300cm Globe; 500 white Shirts tied together with Ropes; 5 Shirts, written by Chinese Women; 5 Texts in wooden Frames; Photos, 50x80cm) As you will have understood, this exhibition offers dozens of different illustrations, each one crazier than the other. View of the exhibition Drawing in the Dark, CAC - la synagogue de Delme, 2017. Your email address will not be published. This work is a non-durational live generative audiovisual environment. Also on Friday the 18th from 4-6pm there will be short talks by Nick Lambert and Sean Clark from the Computer Arts Society, and Jack Addis from the Lumen Prize. 2020 Group Exhibition (online) read more. Go and have a look at the Hero Complex Gallery page to discover all the works. Et quand il n'est pas occupé à découvrir de nouveaux univers imaginaires, il essaie de créer les siens en écrivant. At present and as a continuation to the current activities, EQUAL is preparing for an exhibition in the dark for the total immersion of people in the life of the visually impaired persons. Shilpa Gupta, Unnoticed, 2017, C-print monté sur dibond, fragments de pièces automobiles 123 x 172 cm. Don’t miss the Light Café – an investigative installation by Kirsty Lowry on full spectrum light (and yes there … Continue reading →. Two works from a solo show in Peterborough Cathedral 2012 using a many-faceted response to reflection with mirrors, reflective surfaces, light and distortion. Film something mundane, forwards and backwards, project it, re film it, repeat, repeat. Escorted by the guide, visitors spend 60 to 90 minutes exploring darkened galleries: a public park, a bustling city street, a food market, a boat, and a cafe, to name a few. This work is trying to build a protected, warm, fantasy pseudo-environment in my mind – through a partial reorganization of the real environment. I’m now making little townships, cities, villages and they have come to life.’. ‘A recent exhibition specified pieces the size of a matchbox. So I scaled down my Indensity cubes and then got obsessed with the delicate quality and fineness of the little cubes. Since 2014. Code-driven moving image work made with Processing that uses online visual and text debris. Photo: O.H. The title refers to the clandestine movements and practices in borderlands, and to the metaphor of the line or threshold that links several of the works on display here. Accompanying the central sculpture 24:00:01 (motion flapboard, 2010 -12) are a series of new pieces which can be seen as a collection of clandestine stories. The work I have made for IN THE DARK is a combination of re-mixed older pieces, current work in progress and the result of a major spring clean in the studio. Photo: O.H. Kinetic Paintings – studies in perception. Ad infinitum. Shilpa Gupta, 1:2138, 2017, Vitrine, brass plate, shredded garment, 56 x 51 x 157,5 cm. View of the exhibition Drawing in the Dark, CAC - la synagogue de Delme, 2017. More than 600 visitors toured the disused civic building in the centre of Rye to encounter responses of 12 artists – film, painting, drawing, installation and projection. Who’s to say that I’m unhappy, 200x300cm, 2015 Check out the illustrations by Dan Mumford, Adam Rabalais, or Rich Davies. Expect to encounter art and artists throughout the building. Photo: O.H. View of the exhibition Drawing in the Dark, CAC - la synagogue de Delme, 2017. View of the exhibition Drawing in the Dark, CAC - la synagogue de Delme, 2017. Photo: O.H. You can see many images of the show on The London Group’s Flickr page here. Vue de l’exposition Drawing in the Dark, CAC - la synagogue de Delme, 2017. Signifiers. Builder/Eater A fly tipped television creates space to reflect on transience before finally leaving us in the dark. This installation combines a series of journeys taken by the artist’s daughter (and friends) between; 2007 and 2019 in London and Europe. These are free to attend and we can take up to about 20 people, all equipment provided or bring your own laptops. In the borderlands Gupta evokes with Drawing in the Dark, our apparently rigorous laws reveal themselves as in constant motion and subject to debate. (Three communicating lights). Well worth transforming the disused Fletcher Centre into a temporary exhibition space! The exhibition consists of a series of rooms in complete darkness. In late 2016 Gupta returned to parts around the border fence that India is building, encircling its neighbor Bangladesh and that is notorious for being the world’s longest separation barrier under construction between two nation states. Animals use mimicry to imitate their environment and change themselves. “I can do things you cannot, you can do things I cannot; together we can do great things.”. An exploration of complex forms that emerge from morphogenesis. Interrupted skyscape transforming from day into night (and back again). A collaborative work with x-ray photographer Nick Veasey. It has no beginning, end, or in the traditional sense progression, but rather exists as a stream of transient moments in time. View of the exhibition Drawing in the Dark, CAC - la synagogue de Delme, 2017.